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Reliefs lacking these palimpsests will have been carved in sunk relief later than those originally carved in raised relief. Initially, decoration on the great columns was limited to the triangular leaf pattern at the base of the shafts, two scenes midway up the shafts, a frieze of cartouches and cobras near the top and a vegetation motif with small cartouches on the wide papyrus blossom capitals.

Large areas of the shafts remained undecorated. Here again, contemporary examples from the Ramesseum and the Colonnade Hall of Luxor offer useful parallels.

On the open papyrus blossom columns in the first hypostyle hall of the Ramesseum, there is little additional decoration than this, aside from a cartouche and cobra motif between the triangular leaves at the base of the shafts and some stereotyped decoration of Ramesses III below the scenes. In the Luxor Colonnade Hall, the original decoration naming either Amenhotep III or Tutankhamun— the latter having been usurped by Horemheb— is limited to the leaf pattern at the base, a single scene and the frieze of cartouches and cobras near the top of the shaft.

Immediately above the scenes came an additional frieze of large cartouches resting on gold-signs and surmounted by a solar disk with ostrich plumes but lacking a frieze of cobras. Just beneath the scene was a pair of tall vertical cartouches facing the main axis. Extending to either side of these were parallels horizontal bandeau texts giving the king's Horus and cartouche names and titles. He inserted nearly identical bandeaux on the fourteen columns of the Luxor Colonnade Hall in the same position.

Below this at Karnak was a small horizontal bandeau text with a speech of Amun and a string of the king's names and titles. Finally, Ramesses inserted a cobra and cartouche motif in the blank spaces between the triangular peaks of the leaf pattern at the base of the shafts. All of his later inscriptions on the twelve great columns were carved solely in sunk relief with the long form of his prenomen and the Ra-ms-s form of his nomen indicating that they were carved after his first regnal year but before his 21st year.

Several decades later, Ramesses IV ruled ca. These are difficult to read because this king changed the spelling of his name and recut these inscriptions. Base of one of the large columns with the cartouches and Horus names added by Ramesses IV over the triangular leaf-pattern at the base of the shaft. Ramesses VI later usurped these large cartouches. Jessica and Matt. Anay and Jonathon. Erica and Austion.

Jorja and Taylor. Chelsea and Dillon. Travis and Caryanne. Lauren and Flowers. Tanya and Joel. Did you work on this wedding? Join as Pro. Watch, Get Inspired, Book.

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